Review: Man of Steel

Review: <em>Man of Steel</em>

Comic book movies have had such a successful run over the last number of years. The sub genre has become mainstream and is beginning to feel like a genre all its own. In 1978, Richard Donner’s Superman was unprecedented, but since then we have seen three direct sequels and a fourth unsuccessful pseudo followup in 2006. Superman is by far the most well known comic book character around the world. Even people who have never read a comic know his basic origin story. Being such a known character has made his onscreen adaptations difficult to tackle. Director Zack Snyder attempts such a task with this year’s Man of Steel.

Review: The Purge

Review: <em>The Purge</em>

The James DeMonaco directed action thriller The Purge takes an interesting look at morality, human nature, and classism. For a movie that is just ripped for violence and over the top deaths The Purge has a lot of things to say. Merging the notions of morality with societal divisions is great in concept however, The Purge fails to deliver on all these wonderful promises.

Review: Now You See Me

Review: <em>Now You See Me</em>

I have a few guilty pleasures when it comes to movies sub-genres. Two of them are covered, magic and heists, in Louis Leterrier’s Now You See Me. I am a sucker for those damn Ocean’s movies, and I could watch movies like The Prestige over and over. Something about learning the big secret, or not, in the end is very appealing in a day and age of everything being spoiled before you walk in the theater.

Review: After Earth

Review: <em>After Earth</em>

I’ve always had a weird relationship with M. Night Shyamalan movies. For every one movie I think is pretty good, there is another I don’t like. For every Sixth Sense and Unbreakable there is The Happening and The Last Airbender. Two steps forward, two steps backward. In the case of After Earth, there isn’t a step at all. It’s not good but not horrible, just there.

Review: Argo

Review: <em>Argo</em>

The Iranian Revolution is a highly controversial topic with many levels of nuance and international gamesmanship that have been debated back and forth for years. This tricky subject is at the heart of Ben Affleck’s latest film, Argo. Coming off the success of his 2010 bank heist actioner, The Town, Affleck tackles a topic far removed from the safety of his Boston roots. The nature of the story makes it easy for the director to heavily lean on elements of action and suspense. This crutch would potentially drown the characters and make it a throwaway at best. Affleck chooses, wisely, a different route and it bears fruit in the end.

Review: Taken 2

Review: <em>Taken 2</em>

In 2008 Liam Nesson refashioned himself as an action star. After years of playing serious dramatic roles, Nesson kicked some serious ass on the big screen. While not highly acclaimed, Taken was a fan favorite and gathered quite a following. With its cult like success there was no surprise that Taken 2 would quickly be in the works. However, the story of Taken wrapped up so nicely that it seemed unnecessary to have a sequel. Well sadly, that’s not how the movie industry works. So in 2012, Liam Nesson once again portrays the role of retired intelligence agent, Bryan Mills.

Review: House at the End of the Street

Review: <em>House at the End of the Street</em>

After watching House at the End of the Street directed by Mark Tonderai I am pretty sure the horror genre needs an intervention. This was easily one of the worst horror films I’ve seen in quite a while. I’m not a first weekend got to see it kind of guy when it comes to horror, but this even fell below my already abysmal expectations. I would argue right from the beginning that this movie has zero redeeming qualities. ZEE-RO!

Review: Trouble with the Curve

Review: <em>Trouble with the Curve</em>

Did you know that when you get old things change? Well in Robert Lorenz’s first solo directing gig we get to see a character experience this eye opening event. Trouble with the Curve explores Gus Lobel (Clint Eastwood) as he transitions into his twilight years. That is the simplest explanation, however that’s not completely fair. While no masterpiece, Trouble with the Curve is more than a fancy unofficial addition to the Grumpy Old Men movie franchise.

Review: Premium Rush

Review: <em>Premium Rush</em>

When I was growing up there was a movie that I watched over and over again that made me love skateboarding for a summer. Watching Christian Slater and his band of outlandish teen friends do cool tricks while fighting the “man” was the best thing I could think to watch ad nauseum. Gleaming the Cube was a staple for that one summer and Premium Rush is this generation’s version. Promoting the lifestyle of fix geared bike riding and being against the standard plans of growing up, Joseph Gordon-Levitt gleams much like Slater did back in 1989; a Peter Pan story on two wheels.

Review: Men in Black III

Review: <em>Men in Black III</em>

In Men in Black III we have the return of Will Smith and Tommy Lee Jones as Agents J and K. If you have seen either of the other two films from the MIB franchise, you are well aware that J and K work for a top-secret organization established to monitor and police alien activity on Earth. The concept was derived from the Malibu Comics book of the same name which was bought out by Marvel.